The Years is a full-length drama by Cindy Lou Johnson. When a young woman is mugged on her wedding day she surprisingly decides to cover up the crime and protect her assailant. When a young woman is mugged on her wedding day she surprisingly decides to cover up the crime and protect her assailant. Aug 15, 2012. Cindy Lou Johnson. Author bio(s) $10.00. Qty: Full Length, Drama 1 man, 1 woman Total Cast: 2, Interior ISBN-13: 564. “BRILLIANT TRACES is kooky.
Photo Source: Tommy Burruss In playwright Cindy Lou Johnson's emotionally searing, intentionally claustrophobic one-act, two desperate loners collide in a rustic cabin in the middle of the Alaskan tundra that's worthy of the Unabomber. It is the home of Henry (Andy Wagner), a painfully introverted cook on an isolated oilrig whose workers put in seven-week stretches, then are given two weeks off to keep from going crazy. Instead of socializing during his free time, however, Henry retreats into a hermitlike existence in this cabin, 400 miles even deeper into the frozen wilderness. Linda Benzvi. Henry's self-imposed seclusion is interrupted by a nearly frozen, wildly shrieking stranger (Tessa Ferrer), who, as he sleeps, slams through his door in a tattered wedding dress looking like the lone survivor in the last reel of an original movie on the Syfy Channel.
Henry remains speechless on his bed as Tessa spews out an incoherent story of her unexpected arrival. 'Life leaves shreds of me to come back for later,' she wails as he peeks out from under a mound of blankets. After a two-day sleep (interpreted in a series of overly long filmic montage blackouts), Tessa wakes.
Utilizing their one trait in common, a painful lack of socialization skills, the two try to figure out how she got there and how long, considering the white-out conditions outside, she must stay. Under John Hindman's starkly muscular direction, Wagner and Ferrer take on what in lesser hands could be an impossibly didactic script and characters extremely hard to care about, bringing an uncanny depth to this pair of badly mismatched outsiders.
Brilliant traces script.pdf FREE PDF DOWNLOAD. Learn more Info for Support. Www.amazon.com/Brilliant-Traces-Cindy-Lou-Johnson/dp/ Brilliant Traces. Aug 04, 2017 Brilliant Traces Cindy Lou Johnson Pdf Merge. The English version offers selected articles from. PDF File (.pdf) or read book online for free.
Although Ferrer works a bit too hard at first in her effort to introduce the audience to Tessa, she soon settles into a wonderfully rich, intellectually intricate performance. Wagner meets this challenge with a palpable fearlessness, creating a guy who is simultaneously heartrending and just a little scary. Two-character plays about lonely people who find themselves unexpectedly in each other's company are not exactly new. Nevertheless, Johnson's poetic, often gossamer dialogue, Hindman's steady guidance, and two startlingly simple but affecting performances lift this diamond-in-the-rough and give it depth and brilliance. Presented by 80 West Productions at the Lounge Theatre 2, 6201 Santa Monica Blvd., L.A. And Sat., 8 p.m.; Sun., 2:30 p.m. (323) 960-7788.
Cindy Lou Johnson
In this day and age it seems there are countless films and television shows to keep track of, but how do viewers know the actors on-screen are rightly talented? I was fortunate to get a sneak preview of the intelligent and sharp collaboration with actor/model Jacob Schirmer and actress Fiona Thompson in this week's debut of Brilliant Traces at The Producers Club in New York City. Brilliant Traces is an off-Broadway, two person play that shines on true talent. Schirmer and Thompson have produced this play with an 'out-of-pocket' budget, and an 80 min plot with no intermission. Telecharger driver hp photosmart c4280 gratuitous.
It requires a collective synced ability to work within that scope. The play written by Cindy Lou Johnson takes an audience through a whirlwind of emotions. Henry Harry played by Schirmer is forced to reveal the struggles of isolation, pain and impulse in this play and discovers the power of taking chances and how voicing bottled up feelings can bring light to a situation. Iexplorer 4 1 4. 'My character Henry Harry is basically damaged goods and has fled from society to live alone in Alaska and lick his wounds. Antivirus one pro 3 4 0 1. Anyone who has lost someone they love can relate to this character.
You have a choice to pick up the pieces and move on or go off and die alone somewhere, that's basically what Henry does. It's quite depressing. However, when Rosanna shows up you see a light in Henry go on, a hope that he might fight for his life. Really, that's what we all do day in and day out, we fight for our lives,' says Schirmer. Thompson plays the charming and hilarious Rosanna. Her character has little to no direction after stepping away from a marriage and left feeling lost. The actors did a superb job of bringing humor to sensitive real life subjects relatable to all.
Thompson stated, I loved playing Rosanna. Throughout the play she goes through a range of motions from one event that happened in her life. I found this easy to relate to.
When something big happens I never feel one emotion. I feel happy sad, hopeful and angry. I used that to have fun with the character and play around with the emotions she goes through the play with. After speaking with the actors coming from such opposite personalities of their characters, both Schirmer and Thompson have put their best foot forward to give a 5 star performance. The story is living proof that when lives collide as displayed in Brilliant Traces, you never know what you will learn about yourself from spending time with a stranger.
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Elizabeth Kensek and Van Quattro in Brilliant Traces
Brilliant Traces Cindy Lou Johnson Pdf To Word Online![]()
Addison — Like Homer’s Odyssey and other fabulous mythic adventures, Cindy Lou Johnson’s Brilliant Traces, an 80-minute play premiered by Circle Repertory Company nearly 30 years ago, begins in medias res, in the middle of things, then the characters tell their back stories about what brought them to this moment.
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The ancient device works wonderfully in Johnson’s fascinating play, directed with a strong poetic rhythm by Emily Scott Banks at Addison Theatre Centre’s Stone Cottage. The co-producers are Endeavor Cinema Group, Funkytown Festival Productions, Carlos Aguilar, Elizabeth Kensek and Van Quattro.
Here, the wandering hero doesn’t wash up on an island, but into an isolated cabin in the wilds of Alaska. The coincidence of plot and timing is the same. We see a sleeper huddled under blankets in a darkened wood cabin with a blizzard-force wind howling all around us, thanks to Steve Barcus’s chilling sound design. No set design credit appears in the program, but the Stone Cottage’s built-in fireplace and pine-paneled walls is perfect for the play.
A loud banging commences at the door and the sleeper, a man played by tall, blue-eyed Van Quattro, opens his cabin to the storm and a beautiful, dazed woman in a wedding gown, played by gray-eyed Elizabeth Kensek, blows in with the wind and can’t stop talking. Of course, we’re all ears.
Elizabeth Kensek in Brilliant Traces
The man, a self-determined hermit named Henry, looks on in stunned silence as the agitated girl-woman, a dazed runaway named Rosannah DeLuce, rushes toward the fire and warms her satin-slippered feet, guzzles Jack Daniels from his shelf, stuffs herself with pretzels and babbles on about how her car stalled and she’s been battling through the snow with no sleep for days.
Kensek’s opening monologue alone is an astonishing performance piece in itself. Cogent and matter-of-fact one moment, she lights on a table and describes periodically fueling her car on gas and herself on Mars bars as she succumbs to the compulsion pushing her to outpace the very car she’s driving. Or she gets a little jittery, and her voice becomes more hushed as she tries to define the terrifying force thrusting her forward. “The pain is in my DNA or my aorta; I’m not sure,” she explains to her host. Then she collapses on the animal skin beside his bed.
What’s a poor hermit to do? He didn’t invite this lost soul from a society he’s clearly worked hard to avoid into his loner’s life, but here she is. He covers her up, makes her some soup and waits. The two are trapped in the cabin in a snow storm so impenetrable, it makes everything disappear. When Rosannah comes to and is nourished enough to feel the restless spirit moving inside her, Henry warns her of the dangers of hallucination and freezing to death in a full-blown white-out. “If you ever wandered what nothing looks like, go out that door,” he says. Is this what she’s running from or to?
As the two refugees from civilization wait out the blizzard, each tells stories of the distance they’ve come and the people they’ve loved that have left scars on their psyches, the “brilliant traces” of the title. Sometimes Johnson’s characters speak of ordinary, concrete things, like oil rigs and Triple A service, but often their language reaches higher, epic-like, to capture more ethereal feelings, like the way love defines us and gives us reality. Both actors handle the wide range with ease, as if they speak this way all the time.
Quattro’s Henry is a rapt listener. First shocked by Rosannah’s appearance, like some goddess dropping through the roof, and then concerned about the creature aspects of keeping her alive. His face shows honest curiosity and human compassion for this woman, even when she’s pouting in the corner like some sulky adolescent. Hers is the center of gravity when it comes to storytelling, but eventually we also learn what has brought him to this place where he doesn’t have to ride the dreaded “roller coaster” of living with other human beings, those unpredictable creatures who generate life-affirming affection and abject misery.
Because of the darker aspects of their stories, we’re uncertain if we’re watching a tragic fantasy or a romantic comedy of a man and women battling it out until love conquers all. In fact, we’re not at all sure what will happen with these two misfits until the last moment. But even if we knew, we’d want to take this strangely familiar journey with them, which explains why Brilliant Traces has been produced over and over in three decades and in many languages; it has even had a number of local productions.
Brilliant Traces By Cindy Lou Johnson
Wear a sweater—that howling wind will make you want to wrap something around you, even if it’s cozy-warm in the cabin. Hot chocolate would be fantastic.
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